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Luca

Sick of Love

(Funzalo Recordings; US: 22 Aug 2006; UK: Available as import)

Nick Luca’s obviously an accomplished musician and a talented studio engineer: he’s responsible for some really notable work with Calexico, M. Ward, Giant Sand, Neko Case, and others, both performing live and as engineer in the studio. But—and it pains me to have to say this—perhaps he should stick to performing or working with others’ music. Luca’s CD, Sick of Love, will appeal to fans of adult contemporary/easy listening/Starbucks Hear Music fare. For those of us who seek some small thrill from our music, looking to Luca is looking the wrong way. Luca’s voice is pleasant, with just enough edge to remind listeners that once, in a previous life, they liked Nirvana. At his more aggressive (if that’s the right description), as on “Melody”, he sounds like the mellower moments of pop-punk bands like Blink-182; when he’s doing country, as on “Rosalie”, he’s more like an anemic O.A.R.. But throughout, he aims too high: “If Love” attempts a kind of Paul Simon-like maudlin quality, but Luca’s voice grates, and he’s only got sentimentality: “If love was a colour / Would it be deepest blue?” In general, his songwriting’s über-conventional, so that by the end of each song you’re well and truly sick of hearing the same musical idea repeated again and again. I will say, though, if he came on the radio you might not switch away, but you’re infinitely better off with a Calexico or Neko Case record than this half-hearted affair.

Rating:

Dan Raper has been writing about music for PopMatters since 2005. Prior to that he did the same thing for his college newspaper and for his school newspaper before that. Of course he also writes fiction, though his only published work is entitled "Gamma-secretase exists on the plasma membrane as an intact complex that accepts substrates and effects intramembrane cleavage". He is currently studying medicine at the University of Sydney, Australia.


Tagged as: luca
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1 Oct 2007
This record finds Nick Luca branching out from his days working with Neko Case, Calexico and Howie Gelb and heading towards a “full-blown four-piece rock juggernaut”.
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