Quantcast

Call for Music Critics and Music Bloggers

Music
cover art

Matchbook Romance

West for Wishing

(Epitaph; US: 8 Apr 2003; UK: 7 Apr 2003)

If Romeo and Juliet were alive today, instead of suicide they’d just write a bunch of crappy songs that would debut at 3 pm on Total Request Live. What ever happened to romance? What ever happened to that never back down, no matter how much of a geek, going to get the girl or guy spirit that dominated all those John Hughes movies from the eighties? Judging from the music being played today, our suburbs are overrun with innocent young lads who are being torn asunder by merciless young harlots intent on building them up just to turn them down. And the worst thing is that instead of doing something about it, they just write really pathetic, lame songs.


Now, I understand that heartbreak and music go hand in hand. However, there’s a difference between Otis Redding begging the heavens about how strong his love is and some loser who never got over high school wondering why he’s been dumped. You see, Otis wasn’t about to take his lady running around without a fight. So he pens unearthly songs proclaiming his love and informing her that he’s a better man. Even the Descendents, whose lead singer Milo never, ever seemed to get the girl, blamed it on the loser jocko’s in “I’m Not A Loser”. Or had the sense to realize maybe it was the girl who simply didn’t know what she was missing on “Hope”.


Bands like Matchbook Romance, they prefer to explain to the world that they have no idea why some girl would leave them. I have an idea, maybe it’s cause they write really lame songs. Maybe it’s because this whole recycling Saves the Day songs, but having some dude shriek in the background was already done by a band called Thursday, and even then it was hardly earth shattering. On Matchbook Romance’s debut EP, there are five songs that, unless you think the All American Rejects are God’s gift, most people will never have any reason for hearing. The first song, “14 Balloons”, is straightforward pop-punk, and is devoid of anything memorable. The next three tracks, “The Greatest Fall (Of All Time)”, “Hollywood and Vine”, and “Farewell to Friends” are really the same song with a few open chords in different places.

Related Articles
17 Apr 2006
Emo-punk band reinvents themselves into moody, orchestral rock, and it works -- for the most part.
Comments
Now on PopMatters
Love, and Other Indelible Stains (Columns) [Wed, 2:00 am]
Sigur Rós: Valtari (Reviews) [Wed, 2:00 am]
Lemonade: Diver (Reviews) [Wed, 2:00 am]
Cory Branan: Mutt (Reviews) [Wed, 2:00 am]
Big Science: Difficulty (Capsule Reviews) [Wed, 2:00 am]
Cut Chemist: Outro (Revisited) EP (Capsule Reviews) [Wed, 2:00 am]
Cygnets: Dark Days (Capsule Reviews) [Wed, 2:00 am]
Young Hines: Give Me My Change (Reviews) [Wed, 2:00 am]
Gazpacho: March of the Ghosts (Reviews) [Wed, 2:00 am]
Loga Ramin Torkian: Mehraab (Reviews) [Wed, 2:00 am]
Max Payne 3 (Reviews) [Wed, 1:00 am]
Call for Music Critics and Music Bloggers (Announcements) [Tue, 3:00 pm]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Like 'Doom', In Heels (Moving Pixels)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. She's a Rainbow: A Tribute to Donna Summer (Features)
  9. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  12. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  13. The 10 Greatest Aspects of the 'Star Wars' Franchise (Short Ends and Leader)
  14. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  15. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  16. Early Summer 2012 New Music Playlist (Mixed Media)
  17. Killer Mike: R.A.P. Music (Reviews)
  18. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  19. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  20. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  21. Sergio Leone: Something to Do with Death (Columns)
  22. In Support of Supports (Moving Pixels)
  23. Flash Points: Chicks, Sluts and Facebook (Features)
  24. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  25. Saint Etienne: Words and Music (Reviews)
  26. The Cult: Choice of Weapon (Reviews)
  27. Garbage: Not Your Kind of People (Reviews)
  28. Willie Nelson: Heroes (Reviews)
  29. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  30. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.