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Music > Reviews > The Mendoza Line By Sarah ZupkoPopMatters Editor & Publisher For a band named after a baseball slang term that describes the very essence of futility and mediocrity, The Mendoza Line sure doesn’t play the part. Like the rest of the acts in the Kindercore stable, the Mendoza Line create truly fine indie pop that is anything but mediocre. Perhaps their name speaks more to their sense of wicked irony. Kicking things off with the glorious roots rock meets pure pop of “The Big Letdown,” the Mendoza Line seem to want to keep expectations low with a title like that, but manage to create such an infectious tune, you’re eagerly awaiting whatever they have next up their sleeves. The twee boy/girl harmony vocals on this track are mixed with a twangy dobro and bouncy synthesizers brewing a sound that’s the equivalent of Bob Dylan and The Band jamming with Belle & Sebastian. Elsewhere “Social Thursday” is a spare, folksy, atmospheric number with mellow, slacker vocals reminiscent again of Belle & Sebastian and even Bill Fox. I Like You When You’re Not Around is further proof that Athens, Georgia has become the 1990s American pop capital. Related Articles
Across the Great Divides One Last Time: An Interview with the Mendoza LineBy Jon Langmead20.Dec.07 Timothy Braces gives the story behind the band's literal break-up album.
The Mendoza Line: 30 Year Low & Final Remarks of the Legendary MalcontentBy Matthew Fiander23.Aug.07 The Mendoza Line's final album, couple with a disc of odds 'n' sods, is a solid note to end on, though not their highest.
The Mendoza Line: Full of Light and Full of FireBy Michael Franco23.Nov.05 The Mendoza Line have a knack for writing disturbing and lonely tales that also make a fine soundtrack to a night of carousing. With Full of Life and Full of Fire, they've created a modern American masterpiece. |
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