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My Brightest Diamond

Disappear

(Asthmatic Kitty; US: 5 Dec 2006; UK: 5 Dec 2006)

My Brightest Diamond’s iTunes-only Disappear EP functions as a holdover between her two albums. It includes an album version, an alternate version, and two remixes of “Disappear”, as well as the b-side “The Lace Handkerchief”. While the main track here contains a quality Björk-influenced song, the remixes don’t do enough to stay interesting. The album version highlights Shara Worden’s voice above gentle produciton, and the string quartet version develops textures and dynamics fairly well while bringing the vocals down in the mix. Stakka’s remix subdues everything, increasing the dreaminess of the original even while adding heavier percussion. James McAlister takes a few more liberties, but neither matches the original in quality nor offers enough variance to be intriguing. “The Lace Handkerchief” merely does its job, fitting the feel of the EP while separating the title track from its partners. As a stopgap, this EP will satisfy fans, but is otherwise inessential.

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Justin Cober-Lake lives in Charlottesville, Virginia, with his wife, kids, and dog. His writing has appeared in a number of places, including Stylus, Paste, Chord, and Trouser Press. His work made its first appearance on CD with the release of Todd Goodman's first symphony, Fields of Crimson. He's recently co-founded the literary fly-fishing journal Rise Forms.


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My Brightest Diamond - Disappear [via LaBlogotheque]
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By PopMatters Staff
27 Dec 2011
The year's best albums feature sophomore sets from two of indie's finest artists, a hardcore punk opera masterpiece, career highlights from four amazing women in the top 10 alone, new forward-thinking R&B and hip-hop, an electronic Big Album that shoots for the moon, and so much more.
19 Oct 2011
My Brightest Diamond swirls. She whoops. She lilts. She soars. She emotes with affect one minute and plays it straight the next without losing the creative thread.
8 Jun 2010
Who knew sharks were such good remixers?
10 Feb 2009
I'm all for artistic growth and boldly traveling into new musical territory, but unfortunately these adaptations are a little too haphazard -- or maybe just understaffed -- and Shara Worden's magic has been lost in translation.
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