Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Books
cover art

Revolution!

Nikolas Kozloff

South America and the Rise of the New Left

(Palgrave Macmillan)

In Venezuela, the revolution is televised.  Each Sunday, Hugo Chavez treats his country to a one-man variety show – Alo Presidente! –that would make Ed Sullivan blush.  He sings, dances, grills subordinates, belittles the opposition, tells jokes, interviews distinguished guests, and delivers history lectures, all the while advertising his self-styled Bolivarian Revolution.  These colorful broadcasts represent weekly salvos in a political war between the country’s conservative elite and its radically leftist leader that increasingly claims the airwaves as a primary battleground.  Yet as scholar and journalist Nikolas Kozloff points out in his new book, Revolution! South America and the Rise of the New Left, this polarizing contest is limited neither to television, nor solely to Venezuela. 


Kozloff charts a course across the leftist landscape of South America, travelling from the more radical countries in the Andean north to the less revolutionary states of the Southern Cone.  While there, he interviews an extensive roster of academics, activists, and government representatives, and collects his own impressions of the region’s progress in escaping the shadow of its authoritarian past.  What emerges is a loosely organized assortment of portraits and meditations that fairly well reflects the disparate nature of Latin America’s emerging political posture. 


While clearly sympathetic to the political agendas propagated by the various leftist governments currently in power, Revolution! soberly dissects their many weaknesses and shortcomings, as well Indeed, Kozloff finds that South America’s New Left governments rarely practice the progressive politics they preach.  On a more hopeful note, though, Kozloff sees invigorated social movements taking shape in each of the countries he visits.  And if the majority of leftist governments have failed to fully meet the expectations of their citizens, Kozloff demonstrates that the sensitivity of national governments to civil society organizations has improved remarkably throughout the continent. 


As in every current discussion of Latin America’s left turn, however, all roads eventually lead to Hugo Chavez.  Accordingly, Kozloff devotes the majority of his attention in Revolution! to Venezuela.  If the region is indeed experiencing some sort of revolution as Kozloff’s title suggests, then Venezuela surely inhabits the vanguard.  Since recovering from an attempted coup in 2002, Chavez has ramped up the revolutionary rhetoric, and grown increasingly aggressive in his practical politics.  While he fires the imaginations of supporters at home and sparks hope in the international Left, however, significant questions linger concerning the nature of Chavez’s Bolivarian project. 
Yet there is little doubt that, as Revolution! makes clear, the more disturbing pockets of Chavez’s rule notwithstanding, life in Venezuela—and the continent more broadly—is undeniably better for the majority of its people.  The advent of Latin America’s New Left has sparked a renaissance of social justice movements, and articulated new possibilities for the region’s economic arrangements after decades of disastrous neoliberal reform.  Moreover, fears of a return to military dictatorship have been safely dispatched by the return of a vibrant civil society, while many previously marginalized sectors of the population have been brought back into the political fold.


So what does the future have in store for Latin America? Implicitly embedded within Kozloff’s observations is the assumption that South America is on an inexorable march toward regional integration.  To be sure, Revolution! concludes by examining the region’s prospects at deepening union.  “Many have long proposed closer South American political and economic integration, but the time to move forward has never seemed more propitious.”  Maybe, but recent evidence suggests that Kozloff’s optimism may be premature.  If the latest bout of macho chest-thumping between Chavez and Colombian president Alvaro Uribe is anything to go by, hopes for integration are tempered for the time being by lingering antagonisms and continued US influence. 


But Kozloff remains disappointingly silent on another critical ingredient to the future of Latin American prosperity, whether integrated or no: China.  When Fidel Castro pointed out in 1953 that the region “export[s] sugar to import candy, we export hides to import shoes, we export iron to import plows,” he made reference to the debilitating dependency of Latin America on United States markets.  Countries in South America find themselves in much the same spot 55 years later, though the terms of agreement have been slightly altered. 


Today, Latin America exports its natural resources, not just to the United States, but increasingly to China in return for inexpensively manufactured goods.  As a result, local industries are undercut, and the region’s economic development has gradually been cast in doubt.  Has the New Left’s rush to China’s embrace set the stage for a return to classically colonial trade practices, with Latin America on the losing end? Kozloff doesn’t say, leaving readers with as many questions at the end of Revolution! as at its start.

Rating:

Comments
Now on PopMatters
'Man to Man' is an Early Talkie that's Not Stagey at All (Short Ends and Leader) [Fri, 4:00 pm]
Calling Out to Carroll...Baker: 'Bridge to the Sun' (Short Ends and Leader) [Fri, 4:00 pm]
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Top Ten Lost Midwest Punk Singles (Sound Affects)
  5. Tenacious D: Rize of the Fenix (Reviews)
  6. 20 Questions: Kate Bornstein (Features)
  7. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  8. Like 'Doom', In Heels (Moving Pixels)
  9. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. She's a Rainbow: A Tribute to Donna Summer (Features)
  12. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  13. This Is All There Is: The Boredom of Lessened Expectations (Short Ends and Leader)
  14. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  15. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  16. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  17. Best Coast: The Only Place (Reviews)
  18. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  19. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  20. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  21. Something’s Wrong with the Black Widow! (Graphic Novelties)
  22. Sergio Leone: Something to Do with Death (Columns)
  23. Killer Mike: R.A.P. Music (Reviews)
  24. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  25. Willie Nelson: Heroes (Reviews)
  26. In Support of Supports (Moving Pixels)
  27. The Cult: Choice of Weapon (Reviews)
  28. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
  29. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  30. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
PM Picks
Books Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.