Quantcast

Call for Papers: PopMatters Celebrates The Jam in Massive Special Section

Music
cover art

Ulrich Schnauss

A Strangely Isolated Place

(Domino; US: 5 Oct 2004; UK: 3 Jun 2004)

Pure celebrations of sound—something that is beautiful in its aesthetic, lively in its delivery, and leaves a profound feeling of exuberance with each listener—are a rare find in today’s music world. This intangible something was achieved with My Bloody Valentine’s landmark album Loveless, Fennesz’s gorgeous Endless Summer, and Bjork’s recent Vespertine record. Though not as illustrious or memorable as the three abovementioned albums, Ulrich Schnauss ascends to one of music’s glorious heights with A Strangely Isolated Place.


First released through Berlin’s excellent City Centre Offices label last year, Domino Records has now adopted A Strangely Isolated Place—Schnauss’ second full-length—giving it a wider distribution and an official stateside release. The music itself is as sparkling and joyous as it was last year, with Schnauss collecting bits and pieces from IDM, Boards of Canada, shoegaze, electronica, and My Bloody Valentine and crafting them into soaring songs that reinvigorate many electronic-based genres while transcending them altogether. The eight tracks present on Isolated are each swathed in elated soundscapes that are also grounded with a dynamic use of rhythm and percussion, as well as an ardent sense of melodic finesse. And, unlike nearly every release tagged as “electronica”, Schnuass never relies on the style’s clichés, such as glitches or DSP effects.


Another of Isolated‘s strengths lies in its ability to coalesce into a seamless whole, while allowing each track to augment the album with a unique angle and a sonic character all its own. “On My Own”, for example, implants a strong sense of groove with a bass line that could fit in on any dancefloor beneath the song’s elevating, upbeat drones and beats. “Clear Day” approximates its title with layers of interlocking melodies and gorgeous, sun-drenched washes of shimmering sound.


Despite each track featuring little or no vocal accompaniment, the compositions never feel underdeveloped or incomplete, as the instrumental ambience, textures, rhythmic interplay, minimal drones, and soaring melodies pack enough sound into Isolated that each moment is bursting with life and vivacity. Furthermore, the album never looses touch with humanity, as the wall of sound that Schnauss employs is always so warm and lush that you become enveloped in the sonic atmosphere and find yourself getting lost in Isolated‘s breathtaking layers of sound.


Akin to My Bloody Valentine’s “When You Sleep” if it had been translated by electronica, or Fennesz remixing a Slowdive track, A Strangely Isolated Place is not without its sonic precedents, but its true magic lies in its aptitude to slice apart its influences and create something wholly original in the process. Blissful and celebratory, Ulrich Schnauss has crafted a nearly flawless album that rests as the soundtrack to the perfect summer.

Tagged as: ulrich schnauss
Related Articles
5 Jul 2007
Schnauss' new compositions are oddly detoothed. Most worrisomely, a few of the songs shift their attention near entirely over to vocalists.
29 Nov 2005
It's a nice package, but the material itself is nowhere near as strong as that presented on A Strangely Isolated Place.
Comments
Now on PopMatters
Early Summer 2012 New Music Playlist (Mixed Media) [Fri, 12:00 pm]
Paranormal (Radio)Activity: 'Chernobyl Diaries' (Short Ends and Leader) [Fri, 11:00 am]
'Men in Black 3' Looks Back, Again (Reviews) [Fri, 9:20 am]
Poliça: 11 May 2012 - Rochester, NY (Reviews) [Fri, 6:25 am]
'The Witcher 2' Does the Exposition Dump Right (Moving Pixels) [Fri, 6:00 am]
Saint Etienne: Words and Music (Reviews) [Fri, 2:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Beach House: Bloom (Reviews)
  3. Tea with 'Sherlock': Investigating the Investigators (Features)
  4. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  5. Top Ten Lost Midwest Punk Singles (Sound Affects)
  6. Tenacious D: Rize of the Fenix (Reviews)
  7. 20 Questions: Kate Bornstein (Features)
  8. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  9. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  10. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  11. She's a Rainbow: A Tribute to Donna Summer (Features)
  12. Like 'Doom', In Heels (Moving Pixels)
  13. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  14. This Is All There Is: The Boredom of Lessened Expectations (Short Ends and Leader)
  15. Go Goth!: Ranking the Burton/Depp Collaborations (Short Ends and Leader)
  16. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  17. Best Coast: The Only Place (Reviews)
  18. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  19. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  20. Something’s Wrong with the Black Widow! (Graphic Novelties)
  21. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  22. Sergio Leone: Something to Do with Death (Columns)
  23. Killer Mike: R.A.P. Music (Reviews)
  24. Willie Nelson: Heroes (Reviews)
  25. Like a Jack London Story on Steroids: 'The Grey' (Reviews)
  26. Various Artists: Occupy This Album (Reviews)
  27. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
  28. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  29. The Cult: Choice of Weapon (Reviews)
  30. Garbage: Not Your Kind of People (Reviews)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.