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Shedding

What God Doesn't Bless, You Won't Love; What You Don't Love, The Child Won't Know

(Hometapes; US: 14 Nov 2006; UK: 4 Dec 2006)

In the great show Mystery Science Theater 3000, host Joel has a Wall of Keyboard out, and tells crow to hold down a single note.  “OK, hold it… keep holding… and now hold it down until you get a record contract from Windam Hill.”  This a great summary of what most Americans think when they hear the word “ambient.”


Yet some artists are quite defiant at the title, as a great ambient album is a true art.  The great band 3/4hadbeeneliminated nearly mastered it on their 2005 effort a year of the aural gauge operation, and now, four years after his debut, Connor Bell of Shedding (formerly Now I’m Shedding) returns with the elaborately titled What God Doesn’t Bless, You Won’t Love; What You Don’t Love, the Child Won’t Know.  Unfortunately, by ambient standards, the meticulous work doesn’t pay off as it has in the past.  The album’s three tracks clock in at 39 minutes, and you feel every single one of them.  Opener “GB” sounds like a horror-movie foley artist getting ready for a tense scene that has no climax.  The closing “Ydk” is a strange, random meandering of sounds that live up to Bell’s plotted bird-chirp concept, but little else.  Only “W”, with its meaningfull drum and bass work that appears for over half of the track’s 14 minutes, manages to have any sense of arc or propulsion, making it a unique experience, but the only notable one on this otherwise-confused ambient release.  Much note should be given, however, for the compelling, mysterious and beautiful artwork by Kathleen Lolley which graces the CD—it has more to say than the album contained within.

Rating:

Evan Sawdey began contributing to PopMatters in late 2005 after contributing for years to his college newspaper The Knox Student. Evan became the Associate Interviews Editor for PopMatters in the summer of 2008, and then the full Interviews Editor a year after that. Since joining, Evan's work has been written for and been quoted/featured in a wide array of publications including SLUG Magazine, The Metro (U.K.), Soundvenue Magazine (Denmark), the Daily Dot, and multiple national newspapers. Evan has been a guest on WNYC's Soundcheck (an NPR affiliate), was the Executive Producer for the Good With Words: A Tribute to Benjamin Durdle album (available for free at GoodWithWordsAlbum.com), and wrote the liner notes for the 2011 re-release of Andre Cymone's hit 1985 album A.C. (Big Break Records) and the 2012 re-releases of Philip Oakey & Giorgio Moroder's standalone 1985 pop effort (Virgin/Gold Legion), the JoBoxers' 1983 debut album Like Gangbusters, 'Til Tuesday's 1985 debut Voices Carry, and Plastic Bertrand's 1978 album AN 1 (all Hot Shot Records). He is a current member of The Recording Academy and resides in Chicago, Illinois. You can follow him @SawdEye should you be so inclined.


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7 Apr 2011
The album's clattering drone is affecting, but sometimes undone by a new development in Connor Bell's music: his singing.
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