Quantcast

Call for Music Critics and Music Bloggers

Music
cover art

Ted Leo and the Pharmacists

Living With the Living

(Touch and Go; US: 20 Mar 2007; UK: 19 Mar 2007)

The Ted Leo method could hardly fail. He and the Pharmacists combine energetic guitar lines, punk attitude, and political passion with a voice that’s prettier than you’d expect and stronger than “prettier” implies. On his newest release, Living With the Living, he expands his styles a little bit without straying much from his bases. In doing so, Leo creates an album that’s a little uneven but manages to work more often than not. Like sportswriters’ mythological David Eckstein, this album doesn’t necessarily have all the tools, but it gets by on grit.


The most direct appeal of Leo’s songwriting comes out in a lyric from first (true) song “The Songs of Cain”: “I’ve got to sing just to resist.” The act of performance, whether or not explicitly political, can be its own form of resistance. Living With the Living, whether directly addressing the current (or a past) military situation or speaking to a private character, brings forth its power through the implicit idea that music matters. Maybe it doesn’t actually matter (has any ______ Aid changed anything?), but as long as it feels like it does, it does.


Unfortunately, the disc is frontloaded with this feeling, and with its best songs—“The Sons of Cain”, “Army Bound”, and “Who Do You Love”. Each of these three tracks have the classic Leo/Pharmacists aesthetic, with their bright punk influences, intense lyrics, and excited delivery. “Colleen” follows those tracks and, while it’s getting attention for its apolitical lyrics, stays forgettable on its own.


“Bomb.Repeat.Bomb” contains some of the most direct and intensely political lyrics on this disc and while the music album almost reaches an appropriately aggressive pitch, it seems stuck closer to the Offspring (particularly in its chorus) than the underground sounds that it could tend to more. The resulting track straddles the line between pop-punk and a more aggro sound, but even in this state it more or less works. Oddly, though, the track follows “A Bottle of Buckie”, an obvious and somewhat entertaining nod to Celtic influences. Both tracks are more or less positives on their own, but when set next to each other, it’s a little jarring, and it gives the album a discontinuity that doesn’t do it well.


The stylistic mix-ups lend the album a versatility, but at the expense of consistency. Rather than being surprising, Living With the Living just sounds patched-together, which can make a listen feel longer than its actual running time. Part of the problem stems from those opening three numbers, which set a tone and level of quality that isn’t sustained or met throughout.


“The Unwanted Things” shows up two-thirds of the way through the disc as a straightforward reggae number (in itself not that unlikely a moment on a punkish album), and reveals both the difficulty of the album’s sequencing as well as Leo’s ability to maintain his sound even as he varies styles. Between a more rocking number and an almost-dance track, the song could be the disc’s biggest anomaly; instead, it merely modifies the delivery of the tenor of its predecessor “Annunciation Day / Born on Christmas Day” while opening the way for the groove of follower “The Lost Brigade”. The transitions are at once the album’s biggest challenge and sequencing and its greatest success.


It’s a shame that, given the quality of each of the songs, the whole disc doesn’t work as well in transistion as those moments. On “The Lost Brigade”, Leo sings, “Every little memory has a song”. The problem here is that there are too many types of memories to match up on Living With the Living (climaxing with the unique and well-done ballad “The Toro and the Toreador”) to figure out how to soundtrack it to any of your life, unless its your “feeling generally leftist and rock-needing” disc. In less-skilled hands, the album could have fallen a part, but Leo and the Pharmacists have managed to keep just enough consistency in emotion and sensibility to make sure the disc doesn’t do too much to scatter otherwise good songs.

Rating:

Justin Cober-Lake lives in Charlottesville, Virginia, with his wife, kids, and dog. His writing has appeared in a number of places, including Stylus, Paste, Chord, and Trouser Press. His work made its first appearance on CD with the release of Todd Goodman's first symphony, Fields of Crimson. He's recently co-founded the literary fly-fishing journal Rise Forms.


Media
Ted Leo and the Pharmacists - Bomb. Repeat. Bomb.
Related Articles
By PopMatters Staff
19 Jan 2011
Slipped Discs continues with the return of a legendary power pop band, previously unreleased Springsteen gems, the resurrection of '60s British folk rock sounds, loads of indie rockers and many more. All records that missed our top 70 list last year.
12 Mar 2010
It's a shame that an artist that's had so much to say seems to be stuck for the moment.
Comments
Now on PopMatters
Mommy Fearest: 'We Need to Talk About Kevin' (Blu-ray) (Short Ends and Leader) [Wed, 12:30 pm]
2012 Nelsonville Music Festival (Notes from the Road) [Wed, 12:00 pm]
20 Questions: Hannibal Buress (Sound Affects) [Wed, 11:00 am]
Cannes 2012: 'Reality' + 'In the Fog' (Reviews) [Wed, 8:08 am]
Love, and Other Indelible Stains (Columns) [Wed, 2:00 am]
Sigur Rós: Valtari (Reviews) [Wed, 2:00 am]
Lemonade: Diver (Reviews) [Wed, 2:00 am]
Cory Branan: Mutt (Reviews) [Wed, 2:00 am]
Big Science: Difficulty (Capsule Reviews) [Wed, 2:00 am]
  1. The Top 10 Overplayed Songs You Hate by Artists You Love (Sound Affects)
  2. Tea with 'Sherlock': Investigating the Investigators (Features)
  3. Sunk? This 'Battleship' Stunk! (Short Ends and Leader)
  4. Tenacious D: Rize of the Fenix (Reviews)
  5. 10 Pieces of Cinematic Art That Require Revisiting (Short Ends and Leader)
  6. She's a Rainbow: A Tribute to Donna Summer (Features)
  7. Punk Rock's Pet Sounds: An Interview with Bomb the Music Industry! (Features)
  8. Counterbalance No. 82: U2's 'Achtung Baby' (Sound Affects)
  9. 'Albatross': A Not-So-Weighty Coming-of-Age Meets Mid-Life-Crisis Film (Reviews)
  10. The 10 Greatest Aspects of the 'Star Wars' Franchise (Short Ends and Leader)
  11. Counterbalance No. 83: The Stooges' 'Fun House' (Sound Affects)
  12. We Will Avenge Them Or… Be Avenged?: The Individual in the US Experience (Features)
  13. The Queen and Her Crayons: An Interview With Donna Summer (Features)
  14. Early Summer 2012 New Music Playlist (Mixed Media)
  15. Killer Mike: R.A.P. Music (Reviews)
  16. The Best Canadian Records of the Year? The Fun Agony of Voting for the Polaris Prize Long List (Sound Affects)
  17. Sherlock Holmes, Dirk Gently and the Case of the Eccentric Detective (Columns)
  18. Flash Points: Mommy's Breast, Marriage Equality and Why Chipotle Is King (Features)
  19. Sergio Leone: Something to Do with Death (Columns)
  20. In Support of Supports (Moving Pixels)
  21. Saint Etienne: Words and Music (Reviews)
  22. Flash Points: Chicks, Sluts and Facebook (Features)
  23. In Defense Of... Rock Radio: A Force in Popular Culture (Columns)
  24. Garbage: Not Your Kind of People (Reviews)
  25. The Cult: Choice of Weapon (Reviews)
  26. Willie Nelson: Heroes (Reviews)
  27. The Walkmen: Heaven (Reviews)
  28. 'People's Pornography': The Mundanities of Pornography and Surveillance Culture (Reviews)
  29. Feeling '80s Spirit: Post-Hardcore Punk for the Plastic Generation (Columns)
  30. Various Artists: Occupy This Album (Reviews)
PM Picks
Music Archive
Announcements
Ratings

10 - The Best of the Best

9 - Very Nearly Perfect

8 - Excellent

7 - Damn Good

6 - Good

5 - Average

4 - Unexceptional

3 - Weak

2 - Seriously Flawed

1 - Terrible

© 1999-2012 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.
PopMatters is a member of BUZZMEDIA Music, MOG and Guardian Select.