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Various Artists

14 Songs in 28 Days

Volume 2

(Rebels Trust; US: 6 Jan 2007; UK: Available as import)

Long-Lasting Pleasures from the Shortest Month

You probably have heard of NaNoWriMo, or National Novel Writing Month (each November).  Maybe you’ve tried it, and maybe—against all odds—you’re one of those people who actually finished it.  You should probably share your congratulations with the folk at FAWM as well, in which you are challenged to make 14 songs in the span of February.  It’s an actual competition, it’s been going on for a few years now, and indie Rebels Trust Records puts out some of the best from each year. Volume 2 (covering stuff from 2006) is a glimpse into the bedrooms and amateur studios of people who don’t have the budgets that major labels provide—they just have spirit and heart, and that’s almost all that matters.


No, you haven’t heard of any of these artists, but there’s a good chance that someday you will.  Given the eclectic nature of, well, America, it’s not surprising to hear the compilation move from feel-good pop instrumentals (Oliver Bixby’s excellent “Stars May Fall”) to carnival-esque accordion ballads (KB EP’s “A World of Black & White”).  The best moments, however, happen in songs that proudly shake off the amateurish nature of the recording environment.  Of the two female-songwriter ballads featured here, Margaret Bonnell’s “Abigail” may be called “raw” due to mic scratches and pickups, but it’s Julie Moffitt’s stunning and heartbreaking “Girlfriend” that outshines it, transcending its Casio keyboard backing because it’s a stronger song that’s sung with far more conviction.  Even the MIDI-synth ballad “She Brings the Rain (When She Leaves)” that closes the album (as performed by Robert Myers) manages to stand out in its own right.  Other highlights include Andy Conrad’s bouncing “Evergreen” and FAWM mastermind Burr Settles’s own “Jill of All Trades”, but the only thing more satisfying is knowing that there are hundreds—nay, thousands—more excellent and fantastic songs out there in the archives (check their website), and even more yet to be written.  Perhaps the next one will be yours.

Rating:

Evan Sawdey began contributing to PopMatters in late 2005 after contributing for years to his college newspaper The Knox Student. Evan became the Associate Interviews Editor for PopMatters in the summer of 2008, and then the full Interviews Editor a year after that. Since joining, Evan's work has been quoted/featured in a wide array of publications including SLUG Magazine, The Metro (U.K.), the Gulf Times, Soundvenue Magazine (Denmark), and multiple national newspapers. Evan has been a guest on WNYC's Soundcheck (an NPR affiliate), was the Executive Producer for the Good With Words: A Tribute to Benjamin Durdle album (available for free at GoodWithWordsAlbum.com), and wrote the liner notes for the 2011 re-release of Andre Cymone's hit 1985 album A.C. (Big Break Records) and the 2012 re-releases of the JoBoxers' 1983 debut album Like Gangbusters, 'Til Tuesday's 1985 debut Voices Carry, and Plastic Bertrand's 1978 album AN 1 (all Hot Shot Records). He is a current member of The Recording Academy and resides in Chicago, Illinois. You can follow him @SawdEye should you be so inclined.


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