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College radio faves and true cult band The Wedding Present are regretfully no more—though David Gedge released the stellar Va Va Voom with his new group Cinerama last year. As the biggest UK indie pop band of the late 1980s, the Wedding Present amassed a brilliant body of work that was fully entrenched in the angular post-punk aesthetic. This new compilation captures all of the band’s BMG singles (“Kennedy,” “Brassneck,” and “Crawl” among them), including B-sides, from the turn of the decade and includes a smattering of rarities and unreleased material as well, including a number of live tracks recording in Leeds in 1990. Anyone with even a passing interest in indie rock from either side of the pond needs this collection.

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Sarah Zupko is a former Executive Producer at Tribune Media Services, the media syndication arm of the Tribune Company, and a 10-year veteran of Tribune Company. Aside from writing novels and plays, she devotes most of her time and energy to running PopMatters.com and formerly PopCultures.com, as well as research in the fields of Slavic and German history, and general European cultural and intellectual history. Zupko studied musicology, film, and drama at the University of Chicago and media theory at the University of Texas, where she received her M.A. in 1995.


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I was nearly as eager to find out what hearing a beloved album, Bizarro, in its entirety would be like, as I was just to see the band again.
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Although Girl in a Coma's look lacks congruence with its name, musically it's far from inappropriate. Thus they were the perfect compliment to headliners The Wedding Present, Saturday at the Bowery Ballroom.
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Twenty five years on, The Wedding Present are still one of the best live indie-pop acts around.
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The genius of the early Wedding Present was the tense interplay between David Gedge's heartfelt yet quotidian lyrics of love and loss and Pete Solowka's mad, banjo-like strumming.
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