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Greg LaswellThrough Toledo(Vanguard) US release date: 11 July 2006 UK release date: 10 July 2006 by Jason MacNeilGreg Laswell’s music should be listened when it’s dark and cloudy. That doesn’t mean that it’s sad, depressing music, but it just seems to contain that comforting sort of feeling of a gray sky day, especially on the opener “Sing, Theresa Says”. Laswell here is at his singer-songwriter best. Released after separating from his wife, the record contains all the bumps and bruises of such a situation. A good example of this is the moody “Amazed”, which has some subtle string accents with great results that hit full throttle for the rowdy, edgy chorus. A better example of this is the tender, heartfelt “Do What I Can”. “Worthwhile”, meanwhile, would bring a rocky, rollicking Ron Sexsmith to mind. The same can be said for the piano-led “High and Low” that tugs at certain emotional strings. Just as strong are the unnerving “Come Undone”, the slow-building “Same as You”, and the murky, muddy and muddled “I’m Hit”.
Greg Laswell—“Sing, Theresa Says” 13 October 2006Related articles
Review: Greg Laswell: Three Flights from Alto NidoMaura Walz06.Aug.08 For devotees of piano balladeers and yearning strivers, Greg Laswell serves up a pleasantly melodic hour. But for those who long to find something substantive and new behind the album’s echoes of Coldplay, it can only prompt to keep searching.
Review: Greg Laswell: How the Day SoundsMichael Metivier04.Apr.08 The contours of How the Day Sounds are pillowy soft and radio-friendly, pleasantly sung and arranged, straight-forward and benign.
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