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Friday, May 25 2012

Love is Rarer than Diamonds: ‘Letter Never Sent’

This Soviet-era gem about the hunt for precious stones in Siberia is more alchemy than geology.


fIREHOSE: lowFlOWs: The Columbia Anthology (‘91-‘93)

lowFLOWs is a great rock 'n' roll story, the story of musicians pushing on in the face of heartbreak and finding new sounds, new music, and new creative heights.


Carina Round: Tigermending

Carina Round's third full-length is a perfectly crafted record from an amazingly talented songwriter.


Carole King: The Legendary Demos

The music from the middle of the decade shows how much things have changed in such a short time. The songs are serious, even when they do concern love, such as “So Goes Love”, about the end of a relationship. But these more adult concerns are still wrapped in pop conventions.


Pumice: Puny

Noise music is supposed to be challenging. That's someting that Pumice understands and has taken to heart as Puny makes clear. Fortunately, like the best noise releases, their are breaks from the madness where everything makes sense, at least for a little while.


Robin Trower: Farther on Up the Road: The Chrysalis Years 1977-1983

The great Robin Trower shouldn't have strayed this far.


The Splatters

The basic conceit -- fling things at other things and watch them go boom -- cops the appeal of a certain mobile game phenomenon exactly.


Laurent Mignard Duke Orchestra: Ellington French Touch

A new concert recording by the formidable Duke Orchestra of Paris led by Laurent Mignard collects Ellington’s French-inspired compositions, including a wealth of unheard music. The album brings into focus the triumphant late period of jazz’s greatest composer.


Thursday, May 24 2012

‘Code 33’ Screens As Part of Rumur Film Retrospective

Code 33 follows this changing dynamic among police, press, and politicians, as detectives voice their simultaneous dedication to the job and their concerns with the process.


Mark Millar and the Cage of Fame: “CLiNT 2.1”

The cage of fame that powers social media, was most arrestingly described by Lester Bangs in his obit for John Lennon. It's hard not to see it play out again here, with Mark Millar…


Avengers Assembled! ‘Ultimate Avengers Movie Collection’

These films are the spiritual successors to Batman: The Animate Series.


How She Left the Russian Forest: ‘Enchantments’

If you had no idea that Russian mystic / charlatan / healer / pretender Grigory Yefimovich Rasputin, aka the Mad Monk, had a wife and two daughters, you are not alone.


Killer Mike: R.A.P. Music

Killer Mike and El-P revive the spirit of early '90s Bomb Squad productions from Ice Cube and Public Enemy as faithfully and forward-thinkingly as possible.


‘Clueless’ Remains as Enjoyable Today as It Was When It Was First Released

Over time, Clueless has only gained a sweetness that perfectly goes hand-in-hand with Heckerling’s quick witted and, at times, biting dialogue to elevate the film above a the glut of teen comedies available.


Shannon Stephens: Pull It Together

Instead of spending so much time pulling things together, Stephens and company would have done well to break a few things down.


Clashing Coincidences: ‘The Accidental City: Improvising New Orleans’

Weaving together events that range from international politics to the socio-cultural development of poor American families, Lawrence Powell’s comprehensive glimpse of New Orleans' past is particularly important today.


The Brian Jonestown Massacre: Aufheben

A theme of deliberate confusion runs throughout Aufheben's 11 songs. Hell, even dubbing them “songs” is a bit of misnomer, as structure is largely forsaken for instrumental pastiches and all-enveloping grooves.


Childish Gambino - 30 April 2012 - Sayreville, NJ

Personable, funny, as good a singer as he is a rapper, Childish Gambino is likely here to stay, and probably only get bigger.


Paul Thorn: What the Hell Is Goin’ On?

Thorn should know a good song when he hears it. His own works are filled with saints, sinners and the strange whose lives cannot be viewed through the prism of the sacred or the profane. The same is true of the people he sings about on the new cover record.


Wes Montgomery: Echoes of Indiana Avenue

Other than a crackling record on a turntable, there is perhaps nothing more satisfying to a jazz aficionado than the release of never-before-heard material from a great player.


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