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The Aesthetics of Absorption: Truffaut’s ‘The 400 Blows’

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A friend has sent you the following article from PopMatters.com Features: The Aesthetics of Absorption: Truffaut’s ‘The 400 Blows’ by Chadwick Jenkins 02 April 2009 In Truffaut, the camera works not to keep the viewer out of the constructed reality of the film but rather to draw the viewer into the artifice, to make the viewer complicit in its feigned reality Link: http://www.popmatters.com/pm/feature/70934-the-aesthetics-of-absorption-truffauts-the-400-blows/ PopMatters Popular Voices, Cultural Matters http://www.popmatters.com/

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