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The email will read as follows: A friend has sent you the following article from PopMatters.com Short Ends and Leader: The Other: A Guide to Indian Movie Stars - Part 5: Leading Men by Farisa Khalid 02 May 2007 Leading men in Bombay film-speak are referred to as “heroes.” The word means something different in India than it does in Hollywood, and when it’s spoken in lilting Hindi, (“heeeero”) it encompasses an entire culture’s vision of unironic idealism and reliability. The men here are not the aggressive Tough Guys of the masala action movies or the earnest Ever Guys in breezy romantic comedies. They’re the handsome matinee idols audiences long to see onscreen, reminders that male beauty is still present in a squalid, fast-paced world. Matinee idols were a common mainstay of the ‘30s and ‘40s, but the arrival of the Kapoor brothers, Raj and Shammi, signaled a new way of looking at the leading man. Influenced by the reigning Hollywood stars of the time (Clark Gable and Cary Grant) Raj Kapoor was a dapper, graceful presence onscreen. His frequent pairing with the enchanting Nargis made them the first iconic screen couple of Indian cinema. But Raj Kapoor’s real contribution was as one of the most innovative and commercially astute directors of all time. Inspired by the Chaplin’s comedic style - a melding of slapstick and the somber - Raj Kapoor directed and starred in
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