[19 September 2007]
McClatchy Newspapers (MCT)

Rimes’ yodel-friendly delivery of this Bill Mack composition moved the darling of Dallas-Fort Worth into the national spotlight and helped revive a love of classic sounds.

Looky here, Paisley’s biting comment on female-versus-fish struck a nerve with millions of guys who’d trade a creek bank for a couch any day.
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Bocephus’ bit of rowdy genealogy gave country fans a sense of continuity as new artists moved in on the charts during the late `70s and early `80s.
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We promise we won’t list every Cline hit here, but can’t you picture her restlessly pacing in the dark on this one?

It was recorded by many, but Kristofferson nailed the loneliness behind many a love tryst.

An anthem for many, mere irony for some, this song made a middle-America statement at the end of the turbulent 1960s.

One of Willie Nelson’s finest compositions paired beautifully with Cline’s conversational, why-am-I-doing-this tone.

Here’s Freddy’s signature, a rich bilingual dance favorite from the `70s that had everyone singing along, though not as distinctively as the crooning Fender.
(not Freddy Fender, alas, but a great version nonetheless)

An intimate song that’s both a conversation and a romantic ballad, and it’s the one Twitty fans always remember first.
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Tubb’s voice and the simple lyrics lent a spare, moonlit-night quality to this waltz, which makes Texans proud to be where they are.

In 1933, A.P., Sara and Maybelle Carter recorded this song of desperate hope during the deepest years of the Great Depression, and its simple optimism is still comforting today.

In 1933, A.P., Sara and Maybelle Carter recorded this song of desperate hope during the deepest years of the Great Depression, and its simple optimism is still comforting today.

The hopeful advice of this heart-tugger from 2000 was the perfect sendoff for old flames, new college students, best friends and significant others.

Williams was already dead in 1953 when fans first heard this good rant about a bad woman. The song is loads better than the 1964 movie bio of the same name.
Hank Williams Jr. version from the Porter Wagoner Show

Though Tubb had a voice only a bullfrog could love, the straightforward lyrics and easy melody made this song a two-stepping favorite, and only Tubb’s version will do.

Power ballads like this song, with its building crescendo, helped make the strong-voiced Twitty a staple on the country concert circuit until his death in 1993.

Oh, come on, there isn’t a rank-and-file wage-earner alive who hasn’t committed Paycheck’s timeless working-class rant to memory.
David Allan Coe version from 1983

Sexy, sultry Rich was dubbed the Silver Fox when he recorded this sophisticated love song that pointed out the virtues of privacy.

Quirky on the surface and ultimately more sinister, this song lightheartedly danced into the mind of a cheerful man losing his grip on reality. Millions of fans embraced its split personality.

Everyone, including Johnny Cash, rushed to cover this portrait of despair and isolation after Kristofferson’s recording, but his own world-weary voice means that this remains the best version.
Published at: http://www.popmatters.com/pm/feature/countrys-top-100-all-time-best-songs-40-21/