[3 September 2006]
PopMatters Contributing Editor
He was the original Pa Kent, giving an infant from the planet Krypton a home here on earth. He was also the original Mr. Eddie’s father, looking for love while trying to raise his son solo. From his early days as a Columbia contract player, to his heroic service in World War II (where he helped build safe houses in France) Glenn Ford remained wholly original. His death at age 90 on 30, August 2006 was not so much a shock as a reminder of how much his presence in film was missed. Having long since retired from acting (his last onscreen role was in 1991) and in relatively poor health in recent years, Ford’s recognizable fame had more or less faded. But even without a current high profile celebrity, no one could match this amazing man’s considered career.
He was born in Canada, and came to the US when he was eight. Fresh out of high school, he was scouted by Tom Moore, a representative of 20th Century Fox. When the war arrived in the early ‘40s Ford took a break from his occasional bit parts to fight for his adopted country. After marrying fellow star Eleanor Powell in 1943, he returned from service to pick up his career. But it wasn’t until Bette Davis gave him a break in 1946 (with a role in A Stolen Life) that Ford found his footing. That same year, an appearance alongside Rita Hayworth in Gilda (they would go on to make six films together) shot him to superstardom. Thanks to his talent, Ford never again had to look back. He parlayed that success into roles in classic Westerns like 3:10 to Yuma (1957) and crime thrillers like The Big Heat (1953).
By the mid ‘50s, Ford was viewed as a Hollywood stalwart, a level-headed leading man who came across as decent and determined. But with his 1956 turn as the inner city schoolteacher fighting delinquency in The Blackboard Jungle (1955), the actor became a kind of subtle symbol for the growing problems between the generations…and the races. Thanks to the film’s youth appeal, and the Bill Haley and the Comet’s theme of “Rock Around the Clock”, Ford found himself in even bigger demand. He would go on to make Teahouse of the August Moon (1956), Experiment in Terror (1962) and the forgotten gem Rage (1966), among many, many others. He even dabbled in television, starring in the series Cade’s County (1971) and The Family Holvak (1975). But time was slowly catching up with Ford. After playing Superman’s dad in the original 1978 big screen adaptation, and a sinister psychiatrist in the silly slasher film Happy Birthday to Me (1981), he watched his star stock drop. Between ‘81 and ‘91, he only made six more films.
Though his marriage to Powell produced a son (Peter), it didn’t last. Ford never found the right person to share his life with, all three of his marriages after his divorce from Powell being short lived (none more than three years) and, sadly, childless. Ford adored children, and was said to spend most of his retirement playing with his grandkids. Over the years, he appeared in documentaries on Hollywood’s Golden Age, but continued complications with respiratory and heart ailments, as well as a series of strokes, left him frail and faltering. On the occasion of his 90th birthday in May of this year, he was scheduled to attend a 70th anniversary revival of a newly remastered print of Gilda. Regrettably, his ill health prevented his appearance. It would have been nice for this former Tinsel Town icon to have one last shot at the public adoration he so richly deserved. No matter what the current culture thinks, he was never forgettable. That’s because, no matter the role, Ford was always an original.