Though the four-piece instrumental band Explosions in the Sky is no stranger to Chicago, this show was made special because it marked their tenth anniversary together as a band. Over the past decade, throughout the band’s five studio albums and consistent touring, they’ve perfected their experimental sound and their ability to turn it into a massive shared experience. It’s difficult to find many other bands of this genre that can match their sonic energy in a way that both adeptly acknowledges a gentle calm brightness and at other times a loud chaos. Like most of their song titles, their music accepts a sort of hopefulness that feels empowering and utterly complete.
Playing a gorgeous 90 minute set, Explosions in the Sky forgoes banter and instead lets each song seamlessly crash and evolve into the next, creating a sense of new wonder for each performance. Guitarist Munaf Rayani is the spokesperson for the band and typically makes a humble statement at the beginning and end of each performance about how much the band appreciates the audience and how special it is for them to perform. This time, he added a special note at the end that he hopes the band is together forever with the vast wall-to-wall audience in boisterous agreement.
Though guitar and pedal effects create a huge portion of their sound, Chris Hrasky’s drumming allows the songs to reach new levels of tension. The band plays with very little foreground light on their faces and bright beams of background light that spotlights the audience more than what is happening on stage. Munaf Rayani is the most animated of the three guitarists, often swirling his guitar around the Texas flag draped over the speaker cabinet for his amp.
Similar to many of their individual songs, their set began with a serene calmness and built slowly into a powerful crescendo of epic proportions. The audience provided a passionate response, throwing hands up in the air, clapping spontaneously during the songs, and cheering wildly for more. Highlights of the set included: “The Birth and Death of the Day”, “Catastrophe and the Cure”, “The Only Moment We Were Alone”, “Memorial”, and “Your Hand in Mine”.
With their alternating tumult, reeling guitars, and shimmering sense of dreamy grace, it’s difficult to not see some similarities to bands of the shoegaze genre. The band is often classified as post-rock though, and perhaps they take the elements of shoegaze to a new level. It’s difficult not to feel a sense of removal from time and space when they are playing and imagine a strange sort of postmodern wasteland where you’re bound to see a few ghosts. In the midst of the struggle, there seems to be hope for redemption and recovery. Perhaps Explosions in the Sky is this generation’s answer to My Bloody Valentine when the words would only get in the way.
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// Notes from the Road
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