‘Ladies and gentlemen, the sky is ours’. It is hard to imagine a more dramatic way to end the scene. Writer Warren Ellis immediately taps our collective hopes of launching at an escape velocity and slipping free of the bond of Earth’s gravity. This scene from Ultimate Secret ends on a moment of high drama, reminding readers that planetary escape velocity is just the beginning. The sky, is literally the limit.
Imagining a more dramatic ending becomes even harder after three pages of dialogue. It is possibly the challenge that accomplished artists most regularly dread. How would you move the story forward visually during narrative phases of nothing but conversation? Artist Steve McNiven responds admirably to the challenge.
Instead of a simplistic shot/reverse-shot mode of storytelling, he deploys a highly animated array of visual techniques. Close-ups morph into worms-eye views, promoting a sense of intimacy. Back-of-the-head shots of protagonist Philip Lawson framing others at the conference table place the audience in the proverbial hot-seat, creating a sense that they themselves are making the presentation. Birds-eye views provide an abstract and visual distance from the imposing scientific detail at just the right moments.
Equal to the visualization, Ellis’ dialogue provides a unique drama of its own. Hard science concepts like zero point energy and breakthrough propulsion systems are driven home in clear and concise language. As lead character Lawson explains these concepts, the drama of scientific endeavor exploration unfolds.
But everything leads back to the spaceship Asis. And the beginning of the human adventure in outer space. As Lawson guides both the supporting characters and audience through the science, the dream of deep space travel is stirred once more.
Our calculations show that the Asis could will develop a speed of some twenty percent of the speed of light. This puts the Moon just hours away. Mars, days away. It puts a return trip to the nearest star within a human lifetime.
// Moving Pixels
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