The Wanderlust music festival began right on time as the musical/performance-art circus troupe The Muytator hit the stage promptly at 9:00 pm. The Muytator include three drummers with full drum kits, a three horn rhythm section, keyboards, guitar, ex-Oingo Boingo bass player John Avila on bass, and assortment of dancers. The act’s loud funk/ska music and showy acrobatics energized the crowd, many of whom had attended the concurrent peaceful yoga festival at the site earlier in the day.
The two most notable aspects of The Muytator’s show were the use of fire and the sexiness of the dancers. These elements frequently combined in exotic and erotic combinations as the performers would twirl lit swords and balls of fire on chains while enacting ritualized love scenes that included plenty of bumps and grinds. Despite the volume of the music, the attention was almost always focused on the sultry, if a bit purposely sleazy, performers.
While the physical use of incendiary objects got things hot, Sharon Jones and the Dap-Kings showed how the power of soul can get things even hotter. The Dap-Kings began the performance with some tight instrumental numbers while teasing the audience about what was coming up ahead, before finally introducing Jones and turning the flames up a notch.
Jones went through her repertoire of songs from her first two albums, with crowd pleasers like “I’m Not Gonna Cry”, “How Do I Let a Good Man Down”, “My Man is a Mean Man“, and more, all the time strutting and dancing. She and the Dap-Kings were in perfect sync, starting and stopping on a dime, as Jones would go into a tirade about the kind of respect she expected after coming home from work or the behavior she expected from someone to whom she gave her love.
Jones encouraged crowd participation and at times the audience was so loud they drowned out the amplified Jones and her band. She also called up various members of the crowd onstage, as well as the dancers from The Muytator, and had them sing and dance along with her on the steamy love songs. Even with the improvisational nature of performing with others she had not practiced with, Jones never missed a beat or a note. The 53-year-old Brooklyn by way of Georgia singer said she was worried about not being able to keep up because the show was held in the mountains, but Jones’ energy never flagged. Jones and company played until after midnight to a satisfied audience.
// Short Ends and Leader
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