For some acts, even the title of “One Hit Wonder” is too extravagant an honor. For self-proclaimed “scabby witches from Glasgow”, Strawberry Switchblade, OHW status can only be claimed in Europe and Japan—in the US, they didn’t even rate as a blip on the radar screen, unless you were a moody teenager who subscribed to Smash Hits and bought creepers and Communards 12” dance singles at import shops with names like the Berlin Wall.
To such a teenager, however, the heady mix was unbeatable: morose but danceable electronic pop about certifiable anxiety disorders and unrequited love, sung by the Scottish love children of Siouxsie Sioux and Frida Kahlo after an explosion at the squaredance costume factory. Rose MacDowell and Jill Bryson wore getups and hairstyles so massive, so elaborate, it was a wonder they could even stand up, much less strum guitars or shake maracas. They covered songs by the Velvet Underground and Dolly Parton! Their record label (Korova) was named after a reference from A Clockwork Orange! I couldn’t have found a more perfect duo to worship if I had constructed it from whole cloth myself. My favorite subjects were depression, polka dots, dolls, strawberries, fishnet stockings and obscure British pop music. What were the odds of finding such a tailor-made treasure?
Strawberry Switchblade scored a #5 hit in England in 1985 with “Since Yesterday”, but by 1986, collapsing under the weight of all those ribbons, silk flowers and pancake makeup, they were history. Their eponymous album remains one of my favorite of that decade, and one that bears surprisingly frequent listens today. So even if your adolescent fantasy wasn’t to look like Blueberry Muffin working behind the MAC counter… give Strawberry Switchblade a try. I’ll bet you dollars to donuts it was their version of “Jolene” and not Dolly’s that first inspired Jack White to cover it.
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// Notes from the Road
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