Question: What happens when you put members of the Stooges and the MC5—two of the rawest, most powerful bands of their day—in a band together? You end up with the five minutes of sustained awesomeness that is “City Slang”.
Sonic’s Rendezvous Band featured drummer Scott Asheton and guitarist Fred “Sonic” Smith from the aforementioned Detroit protopunk groups. After those ensembles imploded in the early 1970s, Smith assembled the band and cut “City Slang”. Due to internal band tension, the planned b-side “Electrophonic Tonic” was pulled prior to the single’s 1978 release. But in a maneuver of sheer ballsy simplicity, the group remedied the situation by simply placing “City Slang” on both sides of vinyl, in mono and stereo version.
Now, any rock song of that breaches the five-minute mark (much less one that appears on both sides of a vinyl single) needs to have either an interesting composition, a hypnotic quality, or tons of charisma to keep listeners engaged. Sonic’s Rendezvous Band opted for the latter, delivering a powerful rocker with lurching grooves and a stuttering vocal hook. There’s a killer bass breakdown in the middle, and a great ending where the band just rides out chord progression as Smith’s guitar delivers pummeling eighth-note rhythms. The group even works in a piano into its assault. To think, this was the only material released while the band was still active. In a time when punk was insisting that rock had to be short, fast, and loud, Sonic’s Rendezvous Band demonstrated to the new kids that two out of three could be even better.
// Short Ends and Leader
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