What of interest can a 30-year-old band bring to the table on its 12th studio album? To a lot of Depeche Mode fans, Sounds of the Univere was a disappointment because it didn’t represent a logical progression from 2005’s Playing the Angel. For a globally popular band, though, Depeche Mode have rarely made the expected, path-of-least-resistance move. Instead of dismissing the meticulous, streamlined, analog synth production, though, why not embrace how eloquently it meshes the band’s earliest sonic tendencies with the emotional maturity and songwriting development of later years? “Wrong”, for example, was a brilliantly terse, tongue-in-cheek perversion of the band’s, and its fans’, doomy image. Just as impressive was the emergence of singer Dave Gahan as a songwriter nearly on par with old hand Martin Gore. Instead of loathing Songs of the Universe for not being another Playing the Angel or Violator, why not love it for what it brought to the table? And that was plenty.
// Short Ends and Leader
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