In many ways, Anti-Pop Consortium’s most bombastic album yet should’ve been their coldest and most inaccessible. It is dominated by battles between man and machine, flitting between the inaccuracies of the heart and the cool precision of their musical backing, but at no point are we decided on a winner. The rumoured conflicts that resulted in the group’s hiatus prior to recording Fluorescent Black probably didn’t help (though they seemingly turned out to be totally false), and the result is a restless, economic, smooth, and daring hip-hop record. Ballsy on “Volcano”, beautiful/violent on “Born Electric”, and fidgety beyond belief on “Capricorn One”, this is Anti-Pop Consortium at their most eclectic and unified, both musically and personally. Because these conflicts pervade so much of the whole, the entertainment factor is massive, and they are still leaders of the alternative pack.