It’s a music writer cliché to say that something takes a genre from the past and makes it fresh again, but the shoe—or the neon blue shades—fits with LA’s Dam-Funk. His resuscitation of ‘80s R&B and boogie provided for hands down the best music of the summer, instrumentals that glisten and glide with burbling bass and greasy synth solos that in a perfect world would last forever. But what’s best about Dam-Funk is that he’s reverent of his funk heroes without allowing that to bog him down. Instead, he uses their music as the blueprint for an intergalactic strand of instrumental hip-hop that is distinctly his. There is a song here called “Searchin’ 4 Funk’s Future”—it’s nine minutes long and two hours of music come after it. I think Riddick is too humble to realize that he might be it.
"January through April is a time typically made up of award season leftovers, pre-summer spectacle, and more than a few throwaways. Here are PopMatters' choices for the best and worst of the last four months.READ the article