Mancunian epic rockers Doves often suffer in the indie world’s view for their generic similarities to several derided giants of British stadium rock, but there’s no other lad-rock anywhere that’s quite this dynamic, angular, and haunted. For Kingdow of Rust, Doves shook off the dust from the sonic blueprints for their career-best effort, The Last Broadcast. The final product can sometimes be over-familiar (“The Greatest Denier” and “Spellbound”), but the most evocative moments are undeniably powerful. Opener “Jetstream” is influenced both by Kraftwerk and Vangelis’ Blade Runner score, and expands gloriously on its electronic base. The title track envisions ghostly shapes amidst Manchester’s cooling towers and the Pennine moors. “10:03” begins predictably but soon switches tracks to something more forceful and sinister. The rewarding journey ends with the wonderfully-produced “Lifelines”, their finest ballad since “Caught by the River”. Four albums in, Jimi Goodwin and the Williams brothers continue to restlessly tweak their creative formula, with completely satisfying results.
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
// Moving Pixels
"Virtual reality is changing the face of entertainment, and I can see a future when I will find myself inside VR listening to some psych-rock while meditating on an asteroid.READ the article