Bonobo + Andreya Triana + The Invisible

5.April.2010 - New York

by David Reyneke

8 April 2010

Coming off the success of his highly anticipated fourth album, Black Sands, Bonobo delivered an inspiring performance to a packed Bowery Ballroom Monday night in New York.

As Bonobo, Simon Green’s primarily electronic compositions have won critical praise. However, on this latest tour, they’ve been seamlessly translated to the live stage as Green is backed by a band of talented multi-instrumentalists. Opening up with new songs, like “Kiara” and “Kong”, it became evident that everyone on hand was already well versed in the new material, which had only been circulating for a few weeks now. But of course we can’t forget the throwback classics, specifically “Noctuary” and “Days to Come”, which have now been perfected by Bonobo and his band.
About midway through the set, a new face strolled on the stage by the name of Andreya Triana.  It’s a name to remember.  Even with only three appearances on Black Sands, Triana stole the show.  Going through her featured songs, “The Keeper” and “Eyesdown”, the audience was awed by her soothing vocals.

Opening the UK-only lineup was the The Invisible, who really got the crowd moving.  Despite my ignorance, it turns out that this three-piece has been making quite a stir across the pond, as they did at the Bowery.  Performing some songs of their debut album, it was the perfect warm-up for a dazzling Bonobo performance.

Photos by David Reyneke

The Invisible

Bonobo (with Andreya Triana)


We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.


//Mixed media

'Fire Emblem Heroes' Is a Bad Crossover

// Moving Pixels

"Fire Emblem Heroes desperately and shamelessly wants to monetize our love for these characters, yet it has no idea why we came to love them in the first place.

READ the article