Earlier in the year, I was smitten with one of my new assignments; the debut album Creesus Crisis by a Calgary avant-garde trio called No More Shapes. I loved the shambolic nature of this certain music that didn’t seem to have a name. And not because its creators where trying to be esoteric, but because it just seemed to fall out of the sky that way. It was naturally weird.
I ran down the rabbit-hole with that one. Their label, Drip Audio, has some truly special talent on their roster including Peggy Lee (the cellist, not Ms. Fever), Butcher/Müller/van der Schyff, and my new personal favorite Inhabitants. Their latest album A Vacant Lot is so indescribably rich and odd, so very startlingly… ah, hell, I’ll just say it… original, that I easily would have given it at least an eight if it were one of my assignments. In a few words, this quartet is able to push their sound to wherever their muse fancies, making cascading trumpets and billowy guitar feedback sound like mere child’s play.
Many thanks to the Drip Audio rep who directed my attention to Inhabitants. Hopefully I can bring more people to their attention.
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