Lifting their name from one of Shakespeare’s most acclaimed plays is an indication that Jersey-bred Titus Andronicus have massive cajones and don’t shy away from grand ambition. Their brand of punk epics recall everyone from Neutral Milk Hotel to Bruce Springsteen. 2010’s The Monitor, loosely based around the concept of the Civil War, is at once sprawling, sloppy, raw and glorious. Putting on one of the best shows of the Pitchfork Weekend, Titus are a wake-up call to synth-pop indie excess and a return to rock that really matters and can make grown men weep.
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work. We are a wholly independent, women-owned, small company. Your donation will help PopMatters stay viable through these changing, challenging times where costs have risen and advertising has dropped precipitously. PopMatters needs your help to keep publishing. Thank you.