It’s been a tale of two princes in English theatre this year, with Rory Kinnear’s take on the Dane at London’s National vying for first place with John Simm’s interpretation at Sheffield’s newly revamped Crucible. Simm’s angry, witty, spiky Hamlet has received mixed reviews, but he and a strong supporting cast succeed in bringing out the rich humour in what is undoubtedly one of the most psychologically complex of Shakespeare’s plays. Eminently quotable and reworkable, too—I counted at least five film titles in there…
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