I’ve long been an admirer of Geena Davis, of her daring commitment to originality in a plastic business, of her sharp sense of humor, and of her formidable, MENSA-approved intellect. Let us not forget that she was also one half of Thelma and Louise, one of the most iconic, brilliant pieces of feminist cinema of all time, and that she is a champion archer. And a working mother.
If there was any doubt that Davis could claim the credit of “hero” on her resume, than her current project, The Geena Davis Institute on Gender in Media, forever cements her reputation as a passionate crusader for women. According to the Institute’s official website (www.SeeJane.org)“six years ago, while watching children’s television programs and videos with her young daughter, Davis noticed a remarkable imbalance in the ratio of male to female characters. From that small starting point, Davis went on to raise funds for the largest research project ever undertaken on gender in children’s entertainment.”
Davis recently talked about her work with David Frost:
// Moving Pixels
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.READ the article