It was 40 years ago today that David Bowie arguably invented glam rock with the U.S. release of his third studio album The Man Who Sold the World. While the dominant storyline usually contends that glam’s genesis began with Marc Bolan’s glitter and satin-wearing appearance on the British broadcast Top of the Pops in March 1971, Bowie nonetheless predated T. Rex’s performance that mixed raunchy guitars with androgyny by addressing sexual uncertainty over hard rock riffs on the Sold the World’s opener “The Width of a Circle”.
What’s more, Bowie’s first iconoclastic challenges to the alpha male rock star stereotype continued during the Sold the World era with him donning a dress during the album’s U.S. promotional tour, and he later showed up wearing the same garb on the album cover for the 1971 UK release of the project.
But the Sold the World metamorphosis wasn’t just a stylistic change up but a musical diversion as well. Bowie abandoned his psychedelic folk-leaning roots on the release, teaming up with the virtuosic Mick Ronson (who later formed the backbone of the Bowie’s Spiders from Mars band) to concoct an album that leaned towards the proto-metal electric heaviness of then contemporaries Black Sabbath and Led Zeppelin.
Though Sold the World is now often overshadowed by Bowie’s commercial breakthrough Hunky Dory and the glorious run that is the Ziggy Stardust albums, the 1970 release is when Bowie’s strange odyssey really began. And when he became truly great.
// Short Ends and Leader
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