Being Human Season Two

by Peta Jinnath Andersen

29 November 2010

 

Vampire shows tend to fall into two categories: campy dramedies with occasional moments of angst, and brooding Gothic romances with occasional moments of humor. The first season of the BBC’s Being Human fell somewhere in between; the second season is firmly planted in the latter. For good or ill, the strength of the show—and season two in particular—is its character development. A sort of British Joss Whedon, creator and lead writer Toby Whithouse has used the trio’s journey toward humanity to highlight everything that’s not working in the world, though with a strong, almost fanatical focus on the evils of religion in the form of the aforementioned (and ultimately useless) Professor Kemp and his lackey, Lucy Jaggat. It’s all a bit reminiscent of Whedon’s failed Dollhouse, but without the annoying cheesecake and heavy-handed “we are greater than the sum of our parts” claptrap.

//related
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work. We are a wholly independent, women-owned, small company. Your donation will help PopMatters stay viable through these changing, challenging times where costs have risen and advertising has dropped precipitously. PopMatters needs your help to keep publishing. Thank you.


//comments
//Mixed media
//Blogs

'Knee Deep' Has a Great Setting That Ruins the Game

// Moving Pixels

"Knee Deep's elaborate stage isn't meant to convey a sense of spatial reality, it's really just a mechanism for cool scene transitions. And boy are they cool.

READ the article