There’s something corny and smarmy about Matt Morris. He seems to live on the rarefied air of the priveleged; the lucky few, who have the advantage of friends like Justin Timberlake and Ellen Degeneres to shill for him. But damn if there isn’t something real at the core. Something that that comes through in the music even when he’s sentimentalizing poverty and a bastard’s bad behavior. It’s that ache in his voice and that look in his eyes that communicates across the boundaries of hype and glitz. There is something embararssing about the way he cares so much, but caring too much is a good thing. Affectation can create its own reality, one where we can imagine our common desire to make the world a better place. “Bloodline” is a guilty pleasure—the kind of song that invites wallowing—and Morris succeeds at making us want to sing along with him and dwell in the house of grit and sorrow. Feeling sad never felt so good.
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
// Moving Pixels
"Virtual reality is changing the face of entertainment, and I can see a future when I will find myself inside VR listening to some psych-rock while meditating on an asteroid.READ the article