Part political investigation and part cultural critique, Alex Gibney’s brilliant documentary is also a series of intricate performance pieces. As Eliot Spitzer and others describe the trajectory of his New York career, all do their best to shape the story, and also to make their versions seem honest and insightful. As AG and as governor, Spitzer pursued Wall Street corruption, inspiring the enmity of some very powerful usual suspects. While the movie doesn’t defend Spitzer’s deception of his wife and family, or excuse his ridiculous choice to patronize the Emperor’s Club VIP, it does situate that bad behavior in multiple broader contexts, all in flux by definition. Spitzer is not deviant or even exceptional. He is, instead, a participant in a game that is at once mundane and creepy, one that no one seems inclined to challenge, but only to play as brutally as possible, and above all, to play well.
Client 9: The Rise and Fall of Eliot Spitzer is screening as part of Maysles Cinema’s “True Crime” series. The 24 March show will be followed by a Q&A with Alex Gibney.
See PopMatters’ review.
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