100 Essential Directors - Robert Bresson

by Dylan Nelson

8 August 2011

100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.
 

In an industry haunted by the individualistic expectations of auteur theory and often hobbled by the overbearing ministrations of government intervention, Robert Bresson stands out as an unmistakable independent with a formidable personal vision. Justified by the principles and philosophy outlined in his personal notes, Notes on the Cinematographer, written from 1950 to 1974 and published in English in 1997, Bresson set about fashioning a new kind of cinematic language. He rejected traditional film elements such as professional actors and commissioned scores, which he described as filmed theater, and limited himself to the essentials, striving to create in his films an organic synthesis of music and painting.

Read the rest of the entry within our 100 Essential Directors series.
  

 
 
 

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