The look of a Tim Burton movie is unmistakable and he has managed to define a unique style (a sort of decrepit, fantastical exaggeration of something recognizable) in nearly all facets of his cinematic designs. He tends to favour a polarizing colour palette, with dark blues and greys being offset by splashes of red or a rainbow of pastels. He did employ a black-and-white approach for his biopic about cult classic filmmaker and tragic figure Ed Wood (his most grounded film to date and quite possibly his best, too), but he rarely strays from his iconic blend of gothic darkness and whimsical brightness (see the deceptively dark summer blockbuster Batman Returns  for one of the best examples of this). Burton’s strict adherence to a singular style may feel repetitive in later movies, but his overall filmography reveals a gifted storyteller with a slightly demented Willy Wonka-esque flavor all his own.
"This film feels like a template for subsequent multi-character airplane-disaster and crash projects, all the way down to Lost.READ the article