100 Essential Directors - Tim Burton

by Aaron Leggo

8 August 2011

100 Essential Directors celebrates directors of distinct vision, who have honed their respective crafts, who have brought something new and exciting to the medium, and who continue to push the boundaries of the form.
 

The look of a Tim Burton movie is unmistakable and he has managed to define a unique style (a sort of decrepit, fantastical exaggeration of something recognizable) in nearly all facets of his cinematic designs. He tends to favour a polarizing colour palette, with dark blues and greys being offset by splashes of red or a rainbow of pastels. He did employ a black-and-white approach for his biopic about cult classic filmmaker and tragic figure Ed Wood (his most grounded film to date and quite possibly his best, too), but he rarely strays from his iconic blend of gothic darkness and whimsical brightness (see the deceptively dark summer blockbuster Batman Returns [1992] for one of the best examples of this). Burton’s strict adherence to a singular style may feel repetitive in later movies, but his overall filmography reveals a gifted storyteller with a slightly demented Willy Wonka-esque flavor all his own.

Read the rest of the entry within our 100 Essential Directors series.
  

 
 
 

 

We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.

 

//comments
//related
//Mixed media
//Blogs

The Specter of Multiplayer Hangs Over 'Door Kickers'

// Moving Pixels

"Door Kickers is not a multiplayer game, but for a while there, I couldn’t tell the difference.

READ the article