5 - 1
[REC] is ridiculously good. It’s a show-stopping terror trip through something that really shouldn’t work all that well. But thanks to the talent of directors Jaume Balagueró (the main man in charge) and Paco Plaza (our witness with the handycam), the visceral nature of the first person POV approach avoids any such issues. Like Cloverfield, this unique take of the genre (we aren’t quite sure what has infected the residents of this apartment complex) suggests a zombie invasion. But thanks to the single setting, the impressive acting, and a finale that will literally scare your socks off, this is a fine film that stands as a true classic.
Dario Argento’s fractured fairytale is an outrage-filled trip into a world where beauty is obliterated and the friendliest façade hides sharp, salivating teeth. From the moment Jessica Harper’s Suzy Bannion arrives at the creepy Austrian ballet school, the chaos of a massive thunderstorm foreshadowing the torment she’s about to be put through, we realize we are in the hands of a full blown cinematic genius. Then the first murders occur, and a whole new sense of sublimity arrives. Like a dream peppered with poison, or a nightmare dressed in lace, no one uncovers the gorgeous inside the grotesque—and visa versa - better than this able auteur.
Thanks to the uneasy iconography of its formidable fiend—the human skin masked homunculus named Leatherface—Tobe Hooper’s original Saw story has been marginalized and mocked over time. But some 32 years after its initial release, this vile journey into the heart of a grisly American Gothic is still the most disturbing cinematic experience ever. Between the oppressive opening somewhere in the Southwestern wilderness to the dinner table standoff between actress Marilyn Burns and her cannibalistic captors, we find ourselves lost in an unrelenting world of anxiety and abomination. And then it gets worse…much worse.
It’s safe to say that Sam Raimi literally revived old fashioned horror… twice. The first time was with his original brazen Book of the Dead extravaganza. But when the tide in terror started to turn away from fright and more towards the funny, Raimi reinvented his own initial film. Presented as a sort of requel (a combination sequel and remake), Part II forever cemented his stature as one of fear’s maddest hatters. This is the one fan’s remember most—Bruce Campbell’s bumbling badass, the Three Stooges inspired severed hand fight—and with good reason. It is a benchmark in cinematic diversity and delirium.
The darkest dream of America circa 1973, a country out of control with the generations gapping so viciously it seemed almost supernatural. While the connections to other universal elements (the onset of puberty, the familial fear of separation and divorce) added heft and depth, the combination of William Peter Blatty’s narrative and William Friedkin’s irrefutably great direction creates an experience that is remarkably frightening. But more than this, The Exorcist also asks the hard spiritual questions, exploring elements of faith, love and the lack thereof. With perfect performances and F/X that still manage to chill the bones, fear doesn’t get any more flawless than this.
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