When she first meets Queen Farah, filmmaker Nahid Persson Sarvestani remembers her own past. One of the revolutionaries who took to the streets to cheer the banishment of Farah Pahlavi and her husband Mohammad Reza Pahlavi, the Shah of Iran, in 1979, Sarvestani was then targeted by the Ayatollah’s regime. She escaped to Sweden, where she pursued a career as a documentary maker, and now, in an effort to understand her own journey—from a child who admired the queen on television to revolutionary to an exile—Sarvestani asks Farah if she might film her. “Something about her still intrigues me,” she says. Their evolving relationship is revealed in their film, The Queen and I, available on Link TV and online beginning 21 February. As they become what she calls “friends,” Sarvestani comes to appreciate Farah’s complicated life and admire her persistence under duress, even to like her. She finds that they “share a profound longing for the Iran we both love and dream the same dream, to touch its soil again.” The trick here is parsing the “Iran we both love.” While both women deplore the ongoing rigid religious rule and efforts to keep citizens—especially women—ignorant, they remain split on the efficacy and benefits of a monarchy.
See PopMatters’ review.
// Moving Pixels
"Virginia manages to have an exposition dump without wordy exposition.READ the article