Late last year, Nuon Chea, better known as Brother Number 2, was charged with war crimes, crimes against humanity, and genocide, in a UN-based court in Phnom Penh. On the second day, the prosecution played a clip from a documentary, Thet Sambath and Rob Lemkin’s Enemies of the People.
The film uses multiple interviews with Nuon Chea, conducted over years, to tell the story of the Khmer Rouge from a distinctly, agonizingly personal perspective. Sambath begins by remembering his father’s murder. “They arrested him and took him to the rice field. They killed him by thrashing by knives,” Sambath says. “He did not die immediate. He very, very suffer. My brother, he watch.” Now a senior reporter with the Phnom Penh Post, Sambath has spent years seeking answers to the question that has shaped his life: “Why the killing happened.” His film includes interviews with several killers, now living un-special lives in villages, as well as Nuon Chea. As these interview subjects sift through memories, they sound variously true and delusional, fragmented and self-serving, working their way to confessions in roundabout ways. You can’t know whether this is a function of fading memories, confusion or deliberate obfuscation. “Frankly,” one says, laughing weakly, “Without the wine, we wouldn’t dare kill people.” At the same time, the film’s compositions insist on the layers of storytelling, showing multiple frames within frames, arranged in camera lenses and mirrors, doorways and monitors. The effect is complex, brilliant, and devastating.
The movie is now released on a terrific two-disc DVD, with features that include deleted scenes (some haunting interviews, as well as a short piece showing Sambath’s efforts to find out how his brother died), television reports on the film, and interviews with both directors. Each of these extras helps to expand and confirm the film’s stunning insights regarding power and representation, its questions about responsibility, trust, and truth. None of these can be resolved absolutely, though, as the court case proceeds, some legal end may be forthcoming.
See PopMatters’ review.
// Moving Pixels
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