In the past several years, Dylan Ettinger has carved his place out in the electronic music world with a dark, post-punk indebted style that embraces a range of analog equipment, hacking a new path out of well-worn devices. His newest, bass-heavy, ringing “The Pale Horse”, found on a new split 7” with Goldendust, sees Ettinger yowling in borderline-Ian Curtis desperation over cut-up, static-y percussion. The song’s video consists of VHS footage from Michael Almereyda ‘s Lynchian 1994 vampire masterpiece Nadja, including a scene of David Lynch himself in a turn as a morgue receptionist, cut up into a stuttering, nauseous, color-altered smear (courtesy of the Tachyons+ Video Art Machine) that complements Ettinger’s icy electronic excursions. The same weighty, pixelated pulse drives both song and video, resulting in an claustrophobic, immersive viewing and listening experience.
// Notes from the Road
"Philip Glass, the artistic director of the Tibet House benefits, celebrated his 80th birthday at this year's annual benefit with performances from Patti Smith, Iggy Pop, Brittany Howard, Sufjan Stevens and more.READ the article