Everyone has their favorites. That general rule holds true even for critics, with all their high-minded ideas about what art can be and their five-dollar words. Over time, it’s natural that some artists become Great Artists, those who never fail to get critics riled up every time they announce a new release. In the present day, artists such as Kanye West and David Lynch have culled rabidly devoted fanbases that will seemingly praise whatever they put out for the world to see or hear.
This leads to an interesting situation: can someone in an artistically unassailable position, like Lynch, ever make a “bad” movie in the eyes of critics and fans? Will West be embraced on the whole no matter how many stylistic divergences he takes? Is it possible ever to mount a serious critiques of artists with this status without being dismissed as a knee-jerk contrarian? In the newest PopTalk podcast, Evan Sawdey and Brice Ezell analyze this artistic position of high regard, focusing on how this position informs the ways in which people, fans and critics alike, view these artists.
The Kid A piece referenced in the podcast is “Is Everything in Its Right Place? A (Polite) Dissent to Kid A”, which ran as part of PopMatters’ Best of the ‘00s music special section. You can read the article here.