Suddenly, it’s a full blown fright night at your local B&M. Now, you’d think that manufacturers and distributors would wait until the actual arrival of October before larding the shelves with as much scary movie product as possible. But just like various department and discount stores who drag out their seasonal promotions months before the actual holiday arrives (Wal-Mart’s even doing Christmas right now, if you can believe it), the DVD companies are already crying “werewolf”. This week alone, there are literally hundreds of horror hopefuls - new direct to disc offerings battling just now making it to the medium ‘classics’ for your hard earned supernatural scratch. Certainly there are some non-genre titles peeking through the fog of fear, but with only 35 days until the ghosts and ghouls rule the roost, there’s no time like the present to pick up a few dread based delights, including SE&L’s special pick for 25 September:
A Half Dozen from Dario
While the lack of more obscure Argento titles on DVD is disheartening (Four Flies on Gray Velvet
remains MIA some three decades after its blink and you missed it US release), Blue Underground is maintaining the macabre maestros digital presence by rereleasing several of his more seminal works. They include a brand new version of The Stendhal Syndrome
, a revamped Cat O’Nine Tails
, a revisit of Opera
and another version of the Italian terror titan’s masterwork, Suspiria
. When you add in the producer-only efforts Demons
and Demons 2
, you’ve got an excellent start to your Argento collection. Far more important to the genre of foreign horror than many will give him credit for, his recent efforts (The Card Player
, Do You Like Hitchcock?
) have been pretty hit or miss. But with the Toronto Film Festival still buzzing over his latest installment in the Three Mother’s Trilogy (entitled The Mother of Tears
), it’s time for a recognized renaissance. And we can thank the Big Blue U for getting the accolades rolling.
Other Titles of Interest
Paul Verhoven returns to his Dutch roots to tell the story of a female singer during World War II who is forced into sexual servitude to survive. A Jew, young Rachel agrees to seduce a Gestapo agent in order to save a resistance leader’s son. Naturally, possible betrayal is around every corner. Praised for its personal take on the European occupation by the Nazis, it proved that there was still some art left in this director’s arch approach.
For a long time, William Friedkin was considered a has-been. With his rich cinematic history well behind him - including the French Connection
and The Exorcist
– and two decades of underperforming efforts (Jade
, Rules of Engagement
) ruining his reputation, critics didn’t expect much from this adaptation of Tracy Letts powerful play. Oddly enough, Friedkin defied the odds and elevated the material to a whole new level. It’s a terrifying, telling experience.
Eat My Dust
The history behind this inventive car chase cock-up is just as entertaining as the film itself. When Ron Howard was looking to leave behind his child star status and take up residence behind the camera, producer ‘ordinaire’ Roger Corman cut him a deal. Appear in this Charles Griffith action effort, and he could direct the follow-up. The future Oscar winner jumped at the opportunity. The resulting pair of vehicular mayhem masterworks helped define the ‘70s for New World Pictures.
It’s one of the few classic comedies to come out of the otherwise atrocious post-millennial movie dynamic. Judd Apatow, using all the clout gained from producing hits like Talladega Nights
and creating a phenomenon like The 40 Year Old Virgin
to orchestrate this brilliant deconstruction of human biology. As daring as it is demented, with the profound frequently clashing with the profane, it marks the point when onscreen humor went from horridly ironic back to just plain hilarious. div>
Nicholas Cage steps back into sloppy sci-fi mode with this tale of a talentless magician who can see two minutes into the future. Naturally, the government wants to corral him to help with an impending terrorist attack. Of course, conspiracy theories and various cabals abound, and our hapless hero must navigate a series of double crosses and interpersonal pitfalls to save the day…sort of. Another reason why Philip K. Dick still can’t rest in peace.
And Now for Something Completely Different
A Triptych of Elvira Entertainment
Everyone’s favorite chesty horror host is back with another six films (two per DVD) from her Movie Macabre
vaults. This time around, we get Maneater of Hydra
paired with The House that Screamed
, Blue Sunshine
, and everyone’s favorite oversized turtle, Gamera
with They Came from Beyond Space
. Of course, the real selling point here is not the nauseating transfers of prevalent grad-Z schlock. No, it’s star Cassandra Peterson and her undeniably provocative bustline, a visual saving grace for the show’s otherwise cornball comedy. While many will argue over the sanctity of cinema, believing that all movies, no matter how bad, deserve respect instead of ridicule, there’s no denying the innate pleasures of seeing motion picture mung torn apart for the sake of some silliness. While Mystery Science Theater 3000
elevated it to an artform, Elvira laid the goofing groundwork. With these newest offerings, here’s hoping the new reality TV series based on finding an up to date replacement for the aging Goth icon does her legitimate legacy right.