Discovering recent music from other countries can often be a difficult, if not daunting task. There are only a handful of labels in the States that stay true to bringing quality international music to the United States, and Luaka Bop is quite possibly at the top of that list. Exploring the music of Brazil has often been a forte of theirs, and as of recent, they have brought a new face on board by the name of Márcio Local.
Local comes from the region of Realengo, a working class section on the north side of Brazil. By the time he was born in 1976, this part of Brazil was dubbed “Black Rio” which attracted thousands of young minds. Being one of the few to make it out with his immense amounts of talent, Local’s music finds its foundations in that of the Bossa Nova sound of his heritage, and the Afro-centric sound that swept Brazil in the ‘60s with Tim Maia and Jorge Ben.
But the thing that sets Local apart from his peers was his admiration for the modern sound and the implementation of it into his music. Luaka Bop released a series of 3-inch CDs last year, Local’s being the one that stood out the most, full of vigor and ambition. His sound consisted of all the traditional Brazilian instruments, but you could also find the use of studio effects, turntables, and countless experimentation with the sonic landscape. The time is now for the Brazilians to capitalize on the resurgence of their sound in the United States with groups like Os Mutantes, Caetano Veloso, and Gilberto Gil—and Local is taking full advantage of this.
// Short Ends and Leader
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