Some bands hit you over the head like a sledgehammer, while others, gently stroke you with a velvet glove. Thee Oh Sees hit you over the head with a sledgehammer while wearing a velvet glove. I recently saw San Francisco’s Thee Oh Sees perform as part of Noise Pop—the annual indie music festival, now in its 17th year—and still can’t remove the smile the band carved into my face.
The band led by John Dwyer (the Coachwips, Pink and Brown, the Hospitals) have a sound soaked in reverb and revved up like a muscle car on death ride. They conjure Halloween at the end of February and could re-animate a zombie crowd into shimmying teenagers.
Guitarist Dwyer and singer Brigid Dawson alternate between call and response and dual harmony, conjuring the Cramps and the B52s. This is garage-psychobilly done with vim and vigor. The songs are a bit one-dimensional but it’s a great dimension to inhabit. The rhythm section, comprised of Mike Shoun on drums and Petey Dammit also playing guitar, complete Thee Oh Sees nightmare vision.
Their most recent release, last year’s The Master’s Bedroom Is Worth Spending a Night In, is a delight and is the perfect accompaniment for a midnight drive down a deserted road. It might even turn even a casual listener into a drifting killer. I can’t get set and album opener, “Block of Ice”, out of my mind and “Adult Acid” has the swagger of Johnny Cash on LSD. This a band to line up for if they decide to go on a killing spree in your hometown.
Thee Oh Sees will be off to South by Southwest and have new record entitled Help in limited edition vinyl only out now, with a full release soon.
We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.