Music Day 4: Los Llamarada
Across the highway again, heading east, I’m not really going to Mrs. Bea’s, but I stop in anyway. Mrs. Bea’s has a pretty amazing line-up on Saturday, maybe 20 bands, underground as hell, and half of them names I’ve circled on other showcases and missed. When I get there, the Mexican punk band Los Llamarada is playing its primitive, noise-skronked dissonance, songs that pound over and over on the same keys, same strings, same short (English) phrases. They make the Stooges sound like Mozart in comparison, unadulterated, un-modulated aggression. The guitarist is sitting on the concrete, holding his own ear against the blast of sound, howling into the mic, slamming on the strings. The girl playing keyboards, splays her fingers straight out, banging on one, maybe two, three at most notes, in the most untutored of patterns. Later, she comes to the mic, making snakey, body-bending dance moves and keening short, anguished phrases like “So sorry” and “We’re guilty” over and over again.