Music Day 4: Megafaun
East again, much further east, a long walk along railroad tracks through some very iffy neighborhoods, and I finally find Friend Island, which is hosting a party for Hometapes, Absolutely Kosher, and Misra labels. Megafaun, the North Carolina band whose members used to be in DeYarmond Edison with Justin Vernon (now Bon Iver), are just about to play. Megafun was one of my very favorites from last year’s SXSW, and they have a new album coming out on Hometapes this summer.
I’ve been trying to avoid seeing the same bands again this year, but in this case, it’s a whole different experience. Last year, they played on a conventional stage in a larger audience, with a much larger, louder, more electrified sound. This time, they’re set up in a gallery room a bit larger than a squash court. The audience is sitting on the floor, mostly, and it is very, very hot inside the windowless room.
Megafaun, though, seems excited about the possibility of playing a more intimate, acoustic show, highlighting the soft, folky side of its music. The title track from their upcoming album is particularly beautiful and hushed, little flickers of banjo and guitar igniting then subsiding, the percussion made of small sounds, a tiny cymbal clapped to a larger one, jingling chains, brushes on snares. The sound is so quiet, its fragile jangle dipping in and out of range, that the drummer has to hold the bottom of the snare to clamp the buzz down. If he let it go, it would be the loudest element in the music. There are no vocals until the very end, then the softest possible harmonies around lyrics about night coming.
// Short Ends and Leader
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