From Mike Newmark’s review here at PopMatters: “Graf opens auspiciously, with some quavering notes and a funky, propulsive beat, but it quickly becomes clear that St. Werner [of Mouse on Mars] doesn’t have melody in mind; soon, he’s treating the tuneful elements as he would a blast of noise or a floating piece of digital waste.”
Oh, well… sounds good to me, anyway. Maybe the video helps.
// Short Ends and Leader
"Mystery writer Arthur B. Reeve's influence in this film doesn't follow convention -- it follows his invention.READ the article