From Mike Newmark’s review here at PopMatters: “Graf opens auspiciously, with some quavering notes and a funky, propulsive beat, but it quickly becomes clear that St. Werner [of Mouse on Mars] doesn’t have melody in mind; soon, he’s treating the tuneful elements as he would a blast of noise or a floating piece of digital waste.”
Oh, well… sounds good to me, anyway. Maybe the video helps.
// Sound Affects
"More sock-hop than hip-hop, soulster Timothy Bloom does a stunning '50s revamp on contemporary R&B.READ the article