Has it really been ten years since Chris Seaver, the savant of homemade horror comedies, first introduced us to the world of Low Budget Pictures? Has it really been that long since we first laid eyes on that simian lothario TeenApe, that hate crime in the making known as Mr. Bonejack, or the demonic delights of Filthy McNasty? Over this decade of decadence and debauchery, we’ve come to understand the wonders of womanly bits, the hilarity of excessive gas, and the greatness that is John Stamos. Why he’s not more well known will remain a Comic Con conundrum for eons to come. Still, this fascinating fringe maverick continues to amaze us with his growing canon of exciting, eclectic schlock.
Thanks to Sub Rosa Studios, we are getting the opportunity experience more Seaver sensations. This time around, it’s the one-two punch of Terror at Bloodfart Lake, and the sword and sandal spoof Deathbone - Third Blood Part VII: The Blood of Deathbone. In each case, Seaver relies on a recognizable type - the former is a slasher satire, the latter takes on everything from Rambo, The Lord of the Rings to the entire Conan legend. Sprinkled in between is the director’s own unusual fairy dust, including shout outs to favored rock and ska bands, nonstop motion picture trivia, and just enough toilet humor to keep things comically crude. While the latter loses something in the wizards and warriors translation, the slapstick slice and dice could give Apatow and his gang a run for their frat farce money.
Terror at Bloodfart Lake
When a group of teens head to the legendary Bloodfart Lake for a little late summer R&R, they are totally unaware of the horror they are about to face. Seems a horrific crime some years before continues to haunt the vacation spot, and our motley crew of metalheads, Goth chicks, wannabe actors, and dim bulb losers are destined to face the wraith’s wrath. But it turns out that creepy groundskeeper and all around killjoy Caspian will be a bigger threat to their mini-vacation than some psychotic corpse in a scarecrow costume who suffers from a severe case of talking villain’s disease. If they can live through his party pooping fey ways, they might just survive a few days of random bloodletting.
The Terror at Bloodfart Lake is indeed one of the best things Chris Seaver has ever done - and this is the dude who delivered the remarkable masterworks Mulva: Zombie Ass Kicker, The Karaoke Kid, and The Film Crew. It combines the most memorable parts of his past perversion epics while continuing to strive toward a more mainstream maturity. For someone who used to utilize a point and shoot style of filmmaking acumen, this is a very accomplished picture. The visual element is exceptional and Seaver experiments with framing and angles like never before. Even better, his writing has become smarter and more assured. Instead of going for the gross out gag every couple of seconds, he relies on characterization, repeated riffs, and pure situational set-ups to fuel his funny business.
In fact, watching how he’s grown over the years, it’s comforting to see the kind of polish and professionalism he now shows. In the past, Seaver could be criticized for being the most insular of moviemakers, gathering together his high school friends to make private comedies that few could follow or fully comprehend. Now, as humor has come around to his way of thinking, the oddball asides and direct dives into genital juvenilia work wonderfully. Even better, for those of us who stayed the course, the depth of his slightly skewed world view is obvious. This is not just some geek who spent too many hours in front of the TV, soaking in everything his VCR had to offer. This is someone who has absorbed all of popular culture, from Star Wars to Star Search, from random rap rhymes to epic fantasy metal and manages to make them his own.
Oddly enough, when he tries to mimic others, he sometimes comes up short. While not as drop deal hilarious as Terror at Bloodfart Lake, Deathbone is another triumph for the talented auteur. Yet since he is using a wealth of recognizable films and types for his translation of the macho Middle Earth actioner, the farce doesn’t seem so fresh. Still, this story of an elfin girl who goes on a dangerous journey to seek the help of her kingdom’s mightiest warrior is a wonder to behold.
Deathbone - Third Blood Part VII: The Blood of Deathbone
You see, despite his rather doughy physique, Deathbone is the fiercest, most ferocious conqueror in all of Mucklark. He even has his own nubile assistant and freelance troubadour. When a young elf asks for his help in rescuing her friend and freeing the valley from the ruthless reign of the Goblin King, he can’t refuse. Along the way, they will face all manner of hideous beings, including trolls, monsters, and a fat friar with revenge on his mind.
As he did with Mulva 2: Kill TeenApe, Seaver once again relies on a recognizable film type to foster his wicked wit. Unlike the previously mentioned movie, however, he is far more successful here that in past attempts at parody. Maybe it’s the type of film he’s fooling with - the hero vs. evil conceit is rife with its own sense of implied ridicule - or the performance of a puffy and bloated Billy Garberina that seals the deal, but whatever it is, Seaver is rock solid. Sure, he lets the movie go on for far too long (at almost 100 minutes, this is like his Gone with the Wind) and indulges in elements that don’t fully payoff (the cliché contest). But unlike his Tolkein trip-up Quest for the Egg Salad, the combination of Stallone stupidity and a hip-hop Magic: The Gathering really works - even if the action scenes are more chaotic than well choreographed.
Again, Seaver flawlessly utilizes the camaraderie of his cast, and their chemistry really shows. Especially effective is longtime LBP player Meredith Host, who has to carry most of the exposition and audience identification. She also is the brunt of Deathbone’s many personal putdowns, and she takes them like a trooper. Elsewhere, the always engaging Travis Indovina makes a wonderful wandering minstrel, especially when wielding an “axe” (read: electric guitar) as part of the mayhem. This is also one of the best looking films Seaver has ever helmed. There’s a lot of location work (including mostly outdoor and exterior scenes) and a real sense of scope. With professional level make-up F/X and lots of ludicrous gags, Deathbone - Third Blood Part VII: The Blood of Deathbone is a cut above his other purposeful parodies.
As he enters his next ten years, as marriage and fatherhood have radically altered his priorities and his proclivities, one wonders what Chris Seaver will dream up next. He already has something entitled I Spit Chew On Your Grave making the convention rounds (can somebody say redneck revenge splatter film???) and he promises to continue cranking out the LBP product as long as the audience wants him to. Judging from his continued growth as a filmmaker, as well as the overreaching talent on display, Seaver should have several more decades in the limelight. Anyone who doubts that need only check out Terror at Bloodfart Lake and Deathbone - Third Blood Part VII: The Blood of Deathbone to understand why.
// Notes from the Road
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