At their best, Pink Mountaintops is reminiscent of a more feminine Jesus and Mary Chain with a distorted sense of psych rock in songs like “The Gayest of Sunbeams”, which sounded increasingly raw and energetic live in comparison to the album recording. There was a rougher rasp to Stephen McBean’s vocals tonight, with less added reverb, and backing vocals that complimented him each step of the way. The evening often returned to a distorted melancholic folk style, though, with “Closer to Heaven”, a song full of bittersweet romantic lyrics and a building instrumental part, intensifying as it progressed.
Vancouver’s Stephen McBean is no stranger to the Canadian psychedelic rock scene. He’s a pivotal member of the awe inspiring Black Mountain and, as a special treat, this tour finds him playing with vocalist/violinist Sophie Trudeau, who also plays with Montreal’s Thee Silver Mt. Zion Memorial Orchestra and Tra La La Band. While McBean is certainly productive—he has put out three full-length albums with Pink Mountaintops and released two full lengths and 3 EPs with Black Mountain—it’s interesting to see how both bands have developed separately with only some similarities. This can be partially attributed to the involvement of different band members in both groups, though Pink Mountaintops’ members seem to differ more. One key element is Amber Webber, who doesn’t join McBean on stage as she does in Black Mountain, allowing her to pursue her own side project, the more feminine and abstract sounding Lightning Dust.
Though it contained moments of catchy rock, the set seemed full of the band’s more sentimental folk songs, with the violin heightening the sentiment in the title track “Outside Love”, for example. They ended the main set appropriately with “And I Thank You”, and during the encore McBean brought out perhaps their most engaging rocker of the night, “Single Life” from the out of print seven inch bearing the same name. “Tourist in Your Town”, an old crowd favorite from their first 2004 self-titled release, did not serve up the same high as “Single Life”, but provided a great ending nonetheless.
// Moving Pixels
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