CMJ Music Marathon 2008 Day 2

Theresa Anderson

by PopMatters Staff

23 October 2008

 

In her 45-minute long set at the Living Room, Theresa Anderson captured the most illusive and sought after element of a CMJ performance—complete captivation. There was a distinct buzz about Anderson on the Lower East Side tonight, but admittedly I had never heard of her. Yet, from the moment her bare feet stepped onto an off-white shag rug crowded with pedals and looping devices, it was clear she would deliver something special. Without a glance at the petite songstress, you would swear Anderson was operating with a full band complete with a slew of backup singers. She effortlessly looped drums, violin, guitar, and her own vocals over one another—patching together complete soundscapes that either glided over the audience with a subtle delicacy or bowled them over with the guttural power of a New Orleans soul singer. By the end of her performance, several photographers had put down their cameras, journalists had dropped their pens, and many in the packed house smiled sheepishly, their eyes all fixated on the powerful set Anderson was delivering.

 

We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.

 


//comments
//Mixed media
//Blogs

'Fire Emblem Heroes' Is a Bad Crossover

// Moving Pixels

"Fire Emblem Heroes desperately and shamelessly wants to monetize our love for these characters, yet it has no idea why we came to love them in the first place.

READ the article